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People: Minkhaung of Prome

Lorenzo Lotto, having returned to Venice in …

Years: 1527 - 1527

Lorenzo Lotto, having returned to Venice in 1525, produces such highly original works as his Portrait of Andrea Odoni in 1527 (which has the appearance of a much later Mannerist painting.)

The style is typical of Lotto's Venetian period, with denser tones, a softer chromatic range and atmospheric effects at the boundaries.

The horizontal format, which Lotto had already experimented for portraits of couples, in this case was adopted also for a single subject, a Humanist portrayed among his collection of antique marbles.

It has been however supposed that the pieces shown were not real, but, more likely, have a symbolic role alluding to the nature and the virtues of the subject.

The man sits next to a table, with a rich fur-lined jacket, and holds a statuette, which perhaps portrays a Diana of Ephesus.

The hands touching the chest is a sentimental theme typical of Lotto's works.

The table has also a book and some ancient coins.

Lorenzo Lotto: Portrait of Andrea Odoni (1527) Oil on canvas; 104 cm × 116.6 cm (41 in × 45.9 in); Royal Collection, London

Lorenzo Lotto: Portrait of Andrea Odoni (1527) Oil on canvas; 104 cm × 116.6 cm (41 in × 45.9 in); Royal Collection, London

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