Lorenzo Lotto, having returned to Venice in …
Years: 1527 - 1527
Lorenzo Lotto, having returned to Venice in 1525, produces such highly original works as his Portrait of Andrea Odoni in 1527 (which has the appearance of a much later Mannerist painting.)
The style is typical of Lotto's Venetian period, with denser tones, a softer chromatic range and atmospheric effects at the boundaries.
The horizontal format, which Lotto had already experimented for portraits of couples, in this case was adopted also for a single subject, a Humanist portrayed among his collection of antique marbles.
It has been however supposed that the pieces shown were not real, but, more likely, have a symbolic role alluding to the nature and the virtues of the subject.
The man sits next to a table, with a rich fur-lined jacket, and holds a statuette, which perhaps portrays a Diana of Ephesus.
The hands touching the chest is a sentimental theme typical of Lotto's works.
The table has also a book and some ancient coins.
