Henri de Toulouse-Lautrec's use of free-flowing, expressive…

1888 CE

Henri de Toulouse-Lautrec's use of free-flowing, expressive line, often becoming pure arabesque, results in highly rhythmical compositions (e.g., Au Cirque Fernando: l'Écuyere, "In the Circus Fernando: The Ringmaster," 1887-88; The Art Institute of Chicago).

Images
Henri de Toulouse-Lautrec: Equestrienne (At the Cirque Fernando) (1888) oil on canvas cm (38.5 ″) x 161 cm (63.3 ″); Art Institute of Chicago

Henri de Toulouse-Lautrec: Equestrienne (At the Cirque Fernando) (1888) oil on canvas cm (38.5 ″) x 161 cm (63.3 ″); Art Institute of Chicago

Locations
Paris Ile-de-France France View →

People
Henri de Toulouse-Lautrec View →

Groups
France (French republic); the Third Republic View →

Topics
Western Art: Post-Impressionist and Neo-Impressionism View →

Subjects
Painting and Drawing View →

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