John Henry Twachtman usually paints scenes of…

John Henry Twachtman usually paints scenes of nature veiled in cool, shimmering light—e.g., The White Bridge (c. 1895; Martin B. Koon Memorial Collection, Minneapolis Institute of the Arts, Minnesota); September Sunshine (c. 1895; The Margaret and Raymond Horowitz Collection, National Gallery of Art, Washington, D.C.).

Twachtman, forty-two in 1895, had gone to Munich, Germany, twenty years earlier to study painting and had adopted the broad brushwork and warm, dark coloring of the Munich school.

He studied in 1883 at the Académie Julian in Paris, where he came into contact with Impressionism and began to paint with broken dabs of color.

Like many artists at the time, Twachtman was exposed to Japanism, the contemporary art world's interest in Japanese aesthetics (he collects Japanese prints).

At first unsuccessful as a professional painter, he supported himself after 1889 by teaching at the Art Students League in New York City.

During that year he mastered his lyrical interpretation of landscape.