Painters such as Perugino and Luca Signorelli …
Years: 1492 - 1492
October
Painters such as Perugino and Luca Signorelli had frequently visited the workshop of Piero della Francesca in his workshop in his later years.
It is documented that Piero rented a house in Rimini in 1482.
Although he may have given up painting in his later years, Vasari's remarks that he went blind at old age and at the age of sixty, have to be doubted, since in 1485 he completed his treatise on regular solids, dedicated to Guidobaldo da Montefeltro, son and heir of his patron, Duke Federico of Urbino, in his own fine handwriting.
Piero made his will in 1487 and he dies five years later, on October 12, 1492, in his own house in his native San Sepolcro.
He leaves his possessions to his family and the church.
He leaves to posterity a body of work, of which only about sixteen extant paintings or sets of paintings survive, based on a humanistic philosophy, his vision of human perfectibility.
Piero's deep interest in the theoretical study of perspective and his contemplative approach to his paintings are apparent in all his work.
Three treatises written by Piero are known to modern mathematicians: Abacus Treatise (Trattato d'Abaco), Short Book on the Five Regular Solids (Libellus de Quinque Corporibus Regularibus) and On Perspective for Painting (De Prospectiva Pingendi).
The subjects covered in these writings include arithmetic, algebra, geometry and innovative work in both solid geometry and perspective.
Much of Piero’s work is later absorbed into the writing of others, notably Luca Pacioli.
Piero’s work on solid geometry appears in Pacioli’s "De divina proportione", a work illustrated by Leonardo da Vinci.
Biographers of Federico da Montefeltro, record that he was encouraged to pursue the interest in perspective which was shared by the Duke.
