Henri de Toulouse-Lautrec now turns to the lithograph—e.g., Jane Avril, (1893; Musée Toulouse-Lautrec, Albi, France) as a medium well suited to this goal, and in which he succeeds in going beyond a representation of superficial reality to a profound insight into the psychological makeup of his subjects.
He produces an album of eleven prints entitled Le Café Concert (1893).