The area of modern Liechtenstein, once part…

Dynastic succession in Oman leads to the nomination of Saif ibn Sultan II, who has not yet reached puberty by 1719.

His candidacy prompts a rivalry among the ulama and a civil war between the Hinawi and the Ghafiri, with the Ghafiri supporting Saif ibn Sultan II.

The plotted restoration of the Stuarts to the British throne in two Jacobite expeditions to Scotland in the spring of 1719 is another extravagant scheme of Alberoni's.

By provoking Britain, France, the Netherlands and the Empire to form the Quadruple Alliance, his hasty and ambitious plans have brought a flood of disaster to Spain, for which Alberoni is held responsible.

France launches an invasion of eastern Spain while the British successfully raid Vigo.

With Philip V fast becoming the common enemy of all Europe, Alberoni is on December 5, 1719, ordered to leave Spain, Elizabeth herself having taken an active part in procuring the decree of banishment.

 

Jan van Huysum is the brother of Jacob van Huysum, the son of the flower painter Justus van Huysum, and the grandson of Jan van Huysum I, who is said to have been expeditious in decorating doorways, screens and vases.

A picture by Justus is preserved in the gallery of Brunswick, representing "Orpheus and the Beasts in a wooded landscape", and here we have some explanation of his son's fondness for landscapes of a conventional and Arcadian kind; for Jan van Huysum, though skilled as a painter of still life, believes himself to possess the genius of a landscape painter.

Half his pictures in public galleries are landscapes, views of imaginary lakes and harbors with impossible ruins and classic edifices, and woods of tall and motionless trees—the whole very glossy and smooth, and entirely lifeless.

The earliest dated work of this kind is that of 1717, in the Louvre, a grove with maidens culling flowers near a tomb, ruins of a portico, and a distant palace on the shores of a lake bounded by mountains.

Watteau’s mature paintings seem to be so many depictions of frivolous fêtes galantes, but they in fact display a sober melancholy, a sense of the ultimate futility of life, that makes him, among eighteenth century painters, one of the closest to modern sensibilities.

His many imitators, such as Nicolas Lancret and Jean-Baptiste Pater, borrowe his themes but cannot capture his spirit.

Watteau typifies the lyrically charming and graceful style of the Rococo.

Among his last works is Pierrot (long identified as "Gilles"), a portrait of a clown in white painted as a signboard for the Théâtre de la Foire.

White as innocence (or imbecility) and roseate in complexion, “Gilles”, with his slowly fading smile, is the image of the actor during intermission—the actor who offers himself every day to the laughter of his fellows, the uncomprehending victim of a ceremony the full meaning of which seems to evade him.

He is represented in a grandness that recalls Rembrandt's Christ Presented to the People (Ecce Homo).

The painting may be read as Watteau's wry comment on his mortal illness.

Charles William of Baden-Durlach had decided to build himself a new palace in the Hardtwald forest in the plains west of Durlach.

The reasons for his choice of venue are shrouded in legend.

Apart from his quarrels with citizens of Durlach, he may have wanted to escape from the confines of the city and from the company of his unloved wife.

The foundation stone for the new Karlsruhe Palace is laid on June 17, 1715.

The central building of the palace and, subsequently, the whole city, is the so-called Lead Tower.

From this central tower, thirty-two avenues radiate in all directions, marking a uniform distance in all directions.

This outline shapes the map of the "fan city" of Karlsruhe to this day.

To promote the influx of citizens, Charles William had granted them legal, religious, and financial privileges in a decree dated September 24, 1715.

The construction of the castle and town had been sped up and already on July 5, 1717, he had held his first audience in the new palace.

The Court had moved in by 1718, and Charles William in 1719 orders all court officials to move to Karlsruhe, to the regret and anger of the citizens of Durlach.

The rapid implementation and the lack of money means that the building—except for the lead roof of the tower—has to be made of wood.

The wooden houses are painted red, and this causes Karlsruhe to be called the "Red City".

The capital of the northern part of the Margraviate of Baden (held by the Ernestine line) was initially Pforzheim after the margraviate was split in 1535.

Margrave Charles II had moved the capital to Durlach in 1565 for reasons unknown; his territory was then called Baden-Durlach.

He expanded the medieval Karlsburg Castle into a palace.

This palace was burned down by French troops in 1689 during the Nine Years' War, and the plundering was repeated in 1691.

Friedrich VII Magnus had begun to rebuild the palace in 1698 on his return from exile in Basel.

The economy of Baden-Durlach had suffered from the war, however, and had been unable to sustain his grand plan.

Construction had been suspended in 1703 after the completion of the first two palace wings.

Dugué, while commandant of Fort de Chartres, conveys land nearby to his nephew, Ste. Therese Langlois, who founds the town of Prairie du Rocher ("Prairie of the Rock") on the site.

The town is one of the oldest French colonial communities to survive into the twenty-first century in the American Midwest.

Edward Moseley, a prominent North Carolinian, accuses Governor Eden in 1719 of profiting from Blackbeard's crimes.

Moseley is arrested and fined for his accusations.

Eden presents an account of his dealings with Blackbeard to the provincial council, which accepts his pleas of innocence.

Eden's reputation will nevertheless long be clouded by his connections to Blackbeard.

Alexander Spotswood was born in the Colony of Tangier, Morocco, Africa, about 1676 to Catharine (née Maxwell, c. 1638 - December 1709) and her second husband, Dr Robert Spottiswoode (September 17, 1637 - 1680), the Chirurgeon (surgeon) to the Tangier Garrison.

Through his father, Alexander is a grandson of Judge Robert Spottiswoode (1596–1646), a great-grandson of Archbishop John Spottiswoode (1565–1639), and a descendant of King Robert II of Scotland through the 2nd Earls of Crawford.

Alexander's older half-brother (by his mother's first marriage to George Elliott) was Roger Elliott (circa 1655 - May 15, 1714), who had become one of the first Governors of Gibraltar.

Following the death of Robert Spotswood, his mother had married thirdly, Reverend Dr. George Mercer, the Garrison's Schoolmaster.

Alexander had on May 20, 1693, become an Ensign in the Earl of Bath's Regiment of Foot.

Commissioned in 1698, and promoted to Lieutenant-Colonel in 1703, he had been appointed Quartermaster-General of the Duke of Marlborough's army the same year, and was wounded at the Battle of Blenheim the following year.

Spotswood had been appointed Lieutenant Governor of Virginia in 1710,  under the nominal governorship of George Hamilton, 1st Earl of Orkney.

He is the first to occupy the new Governors Mansion, which many citizens think overly extravagant (its twentieth-century reconstruction is now one of the principal landmarks in Colonial Williamsburg).

He had intervened  in 1711 in Cary's Rebellion in North Carolina, sending a contingent of Royal Marines from the Chesapeake to put down the rebellion.

A Tobacco Act requiring the inspection of all tobacco intended for export or for use as legal tender is passed in 1713.

The next year, he had founded the First Germanna Colony, and regulates trade with native Americans at another of his pet projects, Fort Christanna.

He buys three thousand two hundred and twenty-nine acres (thirteen square kilometers) at Germanna in 1715.

He leads the Knights of the Golden Horseshoe Expedition in 1716 up the Rappahannock River valley and across the Blue Ridge Mountains at Swift Run Gap into the Shenandoah Valley to expedite settlement.

The following year sees the foundation of the Second Germanna Colony and the repeal of regulation of trade with native Americans.

A Third Germanna Colony follows in 1719, and the following year Germanna will be made the seat of Spotsylvania County.

The Wichita appear to be much reduced by the time of the first French contacts with them in 1719, probably due in large part to epidemics of infectious disease to which they have no immunity.