The contest for best tragedy at the…
525 BCE to 514 BCE
The contest for best tragedy at the Dionysian festival has quickly become an annual event in Athens; it will eventually become so at festivals throughout the Hellenic world).
Euthymides, the son of the sculptor Pollias and an extraordinarily original Greek vase painter who works in the Red Figure style, enters into friendly rivalry with his more illustrious contemporary, Euphronius. (Scholars attribute Euthymides a number of vases, beyond the seven he is known to have signed.)
Euthymides brilliantly depicts his boldly foreshortened figures in complicated poses, using thinned paint for anatomical details.
The unusually solid appearance of his figures may be due to the influence of his father.
Admired for his portrayal of human movement and studies of perspective, his painted figures are among the first to show foreshortened limbs.
More minimalist than others in the movement, his tendency is to draw relatively few figures, and only rarely overlap them.
Like Euthymides, Oltos, who flourishes from about 525 to 550 BCE, works in the red-figure style.
Associated with several potters, he paints mostly on cups, but works on some larger vessels, including amphorae.
His work, which features active poses and decorative, ornamental details, builds on that of earlier red-figure artists. (Scholars will attribute more than one hundred vases to him.)
Two Athenian youths, Harmodius and Aristogiton, plot to assassinate the tyrants Hippias and Hipparchus.
Hipparchus had apparently made sexual advances toward Harmodius, who was Aristogiton's lover.
The youths succeed only in murdering Hipparchus, and Harmodius is killed immediately by guards; Aristogiton is executed later.
The 514 assassination of Hipparchus ends the benign character of the Athenian tyranny and leaves his brother Hippias to rule alone.
Harmodius and Aristogiton quickly become Athenian heroes.