Tikulti-Ninurta completes the Temple of Ishtar at Nimrud in 1205.

Arnuwanda II, who succeeds Tudhaliya IV in 1209 BCE, is fated to be the penultimate king of the Hittite Empire.

Suppiluliuma II, a—or the—son of Tudhaliya IV, the last known king of the New Kingdom of the Hittite Empire, ascends the throne in 1207 BCE.

The tyrannical Assyrian king Tukulti-Ninurta dies in a rebellion led by his sons in 1207 BCE.

A confederation of Libyan and northern peoples is supposed to have attacked the city of Perire, probably located on the western edge of the Delta, during the fifth year of Pharaoh Merneptah.

Included among the ethnic names of the repulsed invaders is the Ekwesh or Eqwesh, whom some have seen as Achaeans, although Egyptian texts specifically mention these Equesh to be circumcised (which does not seem to have been a general practice in the Aegaean at the time).

Homer mentions an Achaean attack upon the delta, and Menelaus speaks of the same in Book 4 of the Odyssey to Telemachos when he recounts his own return home from the Trojan War.

Later Greek myths also say that Helen had spent the time of the Trojan War in Egypt, and not at Troy, and that after Troy the Greeks went there to recover her.

There is also the strange myth of the brothers Aegyptus and Danaus, sons of Belus, with the latter supposedly coming from Egypt, that Marianne Luban has suggested may date to this time.

Esau may be the first redhead to receive a place in history.

The son of Isaac and Rebekah and the elder twin brother of Jacob according to the Book of Genesis, Esau's name in Hebrew means "hairy", and, according to Genesis 25:25, it is a reference to his hairiness at birth.

He is also called "Edom", which means red—Genesis relates this directly to his selling his birthright for some "red stuff" (Gen. 25:30).

Genesis also makes a point of mentioning that he was red when he emerged from the womb (Gen 25:25).

This may be an example of retroactive nomenclature, however, as the land which was supposedly inhabited by his descendants, Edom, contains a great abundance of red rock, and most scholars believe that the name of the land is a topographical reference.

Esau becomes a wandering hunter, while his fraternal twin becomes a shepherd.

At one time, when Esau returns hungry from an unsuccessful hunt, Jacob buys Esau's birthright (i.e., the rights due him as the eldest son) for some red pottage (soup).

Later, as Isaac is dying, Jacob, with Rebekah's help, cheats Esau out of his father's blessing.

Esau wants to kill Jacob, but Jacob flees; when he returns twenty years later, Esau forgives him.

In Hebrew tradition, according to which Jacob is the ancestor of the people of Israel, Esau is the ancestor of the Edomites, a Semitic-speaking tribal group who probably occupy the Negev Desert and the Arabah valley of what is now southern Israel and adjacent Jordan.

The nation of Edom is known to have existed back to the eighth or ninth century BCE, and the Bible dates it back several centuries further.

Recent archaeological evidence may indicate an Edomite nation as long ago as the eleventh century BCE, but the topic is controversial.

The Edomites may have been connected with the Shasu and Shutu, nomadic raiders mentioned in Egyptian sources.

Indeed, a letter from an Egyptian scribe at a border fortress in the Wadi Tumilat during the reign of Merneptah (r. 1213 to 1203 BCE) reports movement of nomadic "shasu-tribes of Edom" to watering holes in Egyptian territory.

Ramesses III succeeds his father, Sethbakhte, in 1198 BCE.

The Arctic Small Tool tradition (ASTt) was a broad cultural entity that developed along the Alaska Peninsula, around Bristol Bay, and on the eastern shores of the Bering Strait around 2500 BC, with ASTt groups being the first human occupants of Arctic Canada and Greenland. The Denbigh Flint complex were the first members of the wide material assemblage known as the Arctic Small Tool tradition.

The Cape Denbigh Flint Complex, recognized by its excavator J.L. Giddings as ancestral to later expressions of Eskimo culture in Alaska, faded around 3000-3300 years ago (roughly 1000-1300 BCE). 

Giddings found tiny, intricately chipped stone tools at the Iyatayet Site, and this particular stone tool style is known as the Denbigh Flint Complex. The multicomponent site of Iyatayet, at Cape Denbigh, Alaska, was originally excavated by J. L. Giddings in the early 1950s.

Giddings published "The Denbigh Flint Complex" in American Antiquity in 1951, describing a thin layer of pebbles and flinty artifacts that furnished concrete evidence in support of theories of a Bering Strait gateway to America in remote times.

This particular stone tool style is known as the Denbigh Flint Complex and recognized as ancestral to later expressions of Inupiat culture in Alaska. Distant ancestors of modern Inupiat and Inuit, Denbigh people pioneered new lands and innovated new technologies that set the stage for the next four millennia of high latitude living across the American Arctic.

Maritime East Asia (1197–1054 BCE): Cultural Achievements and Ritual Life under the Late Shang

Between 1197 BCE and 1054 BCE, Maritime East Asia—comprising lower Primorsky Krai, the Korean Peninsula, the Japanese Archipelago below northern Hokkaido, Taiwan, and southern, central, and northeastern China—continues to flourish culturally under the Shang Dynasty, even as signs of internal unrest become evident. This era is distinguished by significant developments in Chinese script, music, ritual practices, and the establishment of early zoological collections, demonstrating both sophisticated cultural expression and complex social structures.

Early Zoological Collections

In the 12th century BCE, powerful Shang rulers begin to gather collections of exotic animals to display their wealth and power, impress foreign dignitaries, and showcase the marvels of nature. These collections constitute the first real zoological gardens (zoos) in Chinese history, reflecting both the extensive reach of Shang diplomatic and trade networks, and the dynasty’s opulent cultural tastes.

Development of Chinese Writing

The late Shang period produces the earliest significant corpus of Chinese writing, notably inscriptions on oracle bonesand contemporary bronze artifacts. These inscriptions, dating roughly from 1200 to 1050 BCE, represent the earliest clearly documented ancestors of modern Chinese script. Shang writing is critically important to the study of Chinese etymology, as many current Chinese characters trace their origins directly back to these late Shang forms. Although the creation and evolution of Chinese characters likely began centuries earlier, the Shang oracle bone inscriptions provide the earliest tangible foundation of the Chinese script family.

Flourishing of Chinese Music

By the late Shang Dynasty, Chinese music experiences a remarkable flowering. Although music’s origins certainly predate this era, written evidence from oracle bones and other contemporary sources suggests significant developments from the 14th through 12th centuries BCE. New instruments appear during this time, notably the sheng, a Chinese free-reed wind instrument first recorded in oracle bone inscriptions as he and yu.

The earliest known sheng consists of a gourd body fitted with a mouthpiece and between twelve to seventeen vertically arranged cane pipes. While a few of these pipes remain silent ("non-speaking"), the instrument produces harmonic sounds by inhalation and exhalation, with pitches determined by covering finger holes. The sheng primarily produces chords using a pentatonic (five-tone) scale, rather than melodic lines. Over time, this instrument evolves into a more refined form featuring a lacquered wooden bowl as a base and thin metal reeds, creating an enduring element in Chinese musical culture.

Royal Rituals and Ancestor Worship

During the Shang Dynasty’s late period, elaborate court rituals evolve to appease ancestral and natural spirits, becoming integral to governance and daily life. The Shang king plays a central religious role, serving as both the secular leader and head of ancestor worship rituals. Frequently, the king himself engages in oracle bone divinations, especially in times of crisis or uncertainty toward the dynasty’s end.

Archaeological excavations at royal tombs, particularly around the capital city of Yin (modern Anyang), provide evidence of elaborate funerary rites and beliefs regarding the afterlife. Royalty are interred with valuable objects—ceremonial bronzes, jades, pottery—likely intended for use in the afterlife. Additionally, burials often involve mass human sacrifice, with hundreds of commoners—possibly enslaved—buried alive alongside deceased royalty, underscoring the profound social stratification and religious beliefs of Shang society.

Internal Unrest and Decline

Despite the dynasty's impressive cultural achievements, signs of internal strain begin emerging by the 12th century BCE. The frequent oracle bone divinations conducted personally by Shang kings suggest growing anxieties about the dynasty’s stability. Such unrest foreshadows eventual decline, as internal divisions and external pressures begin weakening the dynasty’s foundations.

Legacy of the Era: Cultural Refinement and Ritual Complexity

Thus, the era from 1197 to 1054 BCE encapsulates a period of significant cultural sophistication, marked by advancements in zoological collections, writing systems, musical instrumentation, and religious rituals. Simultaneously, it sets the stage for internal tensions that will ultimately contribute to the transition from Shang to Zhou rule, profoundly influencing subsequent historical trajectories in Maritime East Asia.

The powerful Shang rulers collect exotic animals for their own amusement, to impress foreign visitors, and to display some of the marvels of nature, creating the first real zoos in the twelfth century BCE.

The late Shang oracle bone writings, along with a few contemporary characters in a different style cast in bronzes, constitute the earliest significant corpus of Chinese writing, which is essential for the study of Chinese etymology, as Shang writing is directly ancestral to the modern Chinese script.

It is also the oldest member and ancestor of the Chinese family of scripts.

Chinese music flourishes in the Shang dynasty after the fourteenth century BCE, although its origins are surely earlier.

Many musical instruments, such as the sheng, are invented in Shang times.

Chinese free reed wind instruments named he and yu are first mentioned in bone oracle writing dating from the fourteenth–twelfth centuries BCE, and will be identified in later texts as types of sheng.

The earliest sheng is a gourd with a protruding mouthpiece and twelve to seventeen slender symmetrical cane pipes inserted vertically in the base.

A few of the pipes are nonspeaking.

Sound is produced by inhalation and exhalation; covering holes in the pipes produce the pitches, from the pentatonic (five-tone) scale.

The sheng plays chords rather than melodies.

In its mature form, the base, a beautifully lacquered wooden bowl, contains thin metal reeds that sound when the finger holes above are closed.

Over time, court rituals to appease spirits have developed under the Shang, and in addition to his secular duties, the king serves as the head of the ancestor worship cult.

Oftentimes, the king even performs oracle bone divinations himself, especially near the end of the dynasty, which declines in the twelfth century through internal unrest.

Evidence from excavations of the royal tombs indicates that royalty were buried with articles of value, presumably for use in the afterlife.

Perhaps for the same reason, hundreds of commoners, who may have been slaves, were buried alive with the royal corpse.