Three Hours After Marriage, a restoration comedy…
December 1717 CE
Three Hours After Marriage, a restoration comedy written in 1717 as a collaboration between John Gay, Alexander Pope and John Arbuthnot, premieres in 1717; among its satirical targets is Richard Blackmore.
It receives seven sellout performances, then a record for the Theatre Royal Drury Lane, and influences The Author's Farce.
Critical reception is less friendly.
Charles Johnson, in the preface to the published version of his The Sultaness, calls Three Hours "Long-labour'd Nonsense" and it is also attacked in Leonard Welsted's 1717 Palaemon to Caelia, or, The Triumvirate and in the Poetical Register by Giles Jacob, who states that it includes scenes that "trespass on Female Modesty" (Kilburn, Matthew. "Giles Jacob" in Matthew, H.C.G. and Brian Harrison, eds. The Oxford Dictionary of National Biography. vol. 29, 546-7. London: Oxford UP, 2004 - page 547).
This view of the play as obscene becomes the majority view, meaning it then remains unperformed until 1996, when Richard Cottrell directs a Royal Shakespeare Company production at the Swan Theatre.
This wins the 1998 Laurence Olivier Award for Best Set Designer for Tim Goodchild.
It is revived again in 2008 at the Union Theatre in a production by Blanche McIntyre.