The celebrated writer Émile Zola buys a…
August 1886 CE
The celebrated writer Émile Zola buys a bronze by Medardo Rosso, who thereby gains a measure of celebrity in 1886.
Rosso was born in Turin, in 1858, the son of the city stationmaster; his family later moved to Milano (Milan).
As a child, Rosso had played hooky from school to visit a monument mason who taught him to handle a chisel and hammer, causing his parents distress and anger.
At the age of twenty-three, after a period of military service as unsatisfactory as his home life, Rosso had enrolled at the Brera Academy in Milan, where he learned to draw classical statues and copy them in gesso, but academic art appeared to him entirely artificial, unrelated to the world around him.
Before long, he helped to organize the Brera students into demanding life models for the drawing classes.
As a result of his revolutionary behavior, he had been expelled from the school.
He had moved to Rome, where he lived in great poverty, sleeping among the ruins of the Colosseum.
To the end of his life, Rosso will battle unremittingly against the academicians.
What absorbs, even obsesses, him is the problem of interpreting life itself.
In 1882 (some time before he sees any Impressionist paintings), Rosso had produced two fully impressionistic sculptures, The Street Singer and Lovers under the Lamplight.
In 1884, some friends had arranged an exhibition for him in Paris, where he had lived for a time in a cheap boardinghouse.
He also showed that year in Paris at the newly founded Salon des Indépendants.
He had met Edgar Degas and called on Auguste Rodin, who was interested in and, indeed, not uninfluenced by him.
The sculptor and teacher Jules Dalou had allowed him to work in his Paris studio.
In 1885, Rosso had returned to Milan, but he will never loss contact with Paris.
During an open competition held in Milan for a funeral monument to the critic Filippo Filippi, Rosso, who had quickly finished his entry, had set it up on the grave without waiting for the judges to announce their decision.
On this occasion there had been a great outcry against him, but by continuing to follow these tactics in galleries and exhibitions, he gradually wears down the resistance of the authorities.