Mino da Fiesole’s friends and fellow-workers Desiderio …

Years: 1481 - 1481

Mino da Fiesole’s friends and fellow-workers Desiderio da Settignano and Matteo Civitali were born within a few years of him.

Mino’s work, influenced by his master Desiderio and by Antonio Rossellino, is characterized by its sharp, angular treatment of drapery.

Unlike most Florentine sculptors of his generation, Mino has passed two lengthy sojourns in Rome, from about 1459 to 1464 and again from about 1473/1474 until 1480.

Mino's sculpture is remarkable for its finish and delicacy of details, as well as for its spirituality and strong devotional feeling.

Of his earlier works, the finest are in the cathedral of Fiesole, the altarpiece and tomb of Bishop Leonardo Salutati, who died in 1466.

His most arduous and complicated commission involves an altarpiece and tombs for the church of the Benedictine monastery in Florence known as the Badia.

The first, completed about 1468, was essentially a private commission for the Florentine lawyer and diplomat Bernardo Giugni.

The second, directly commissioned by the monks and finished in 1481, honors the memory of their founder, the tenth century Ugo, count of Tuscany.

In the wall monuments, portraits and bas-reliefs are worked into complex structures with elaborate highly individualistic decorative moldings.

The extraordinary diversity of contemporary and ancient sources that Mino draws from to create in these tomb sculptures distinguish him from other sculptors active in mid-quattrocento Florence. (The monuments have been reinstalled in the rebuilt church.)

Mino da Fiesole: Monument to Count Ugo of Tuscany, Badia complex, Florence, Italy. (Photo taken  September 26, 2006, by Sailko)

Mino da Fiesole: Monument to Count Ugo of Tuscany, Badia complex, Florence, Italy. (Photo taken September 26, 2006, by Sailko)

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