Molière (Jean-Baptiste Poquelin)
French playwright and actor
1622 CE to 1673 CE
Jean-Baptiste Poquelin, mostly known by his stage name Molière, (French pronunciation: [mɔljɛʁ]; January 15, 1622 – February 17, 1673) is a French playwright and actor who is considered one of the greatest masters of comedy in Western literature.
Among Molière's best-known dramas are Le Misanthrope (The Misanthrope), L'École des femmes (The School for Wives), Tartuffe ou L'Imposteur, (Tartuffe or the Hypocrite), L'Avare ou L'École du mensonge (The Miser), Le Malade imaginaire (The Imaginary Invalid), and Le Bourgeois gentilhomme (The Bourgeois Gentleman).
Born into a prosperous family and having studied at the Collège de Clermont (now Lycée Louis-le-Grand), Molière is well suited to begin a life in the theater.
Thirteen years as an itinerant actor help him polish his comic abilities while he begins writing, combining Commedia dell'Arte elements with the more refined French comedy.
Through the patronage of a few aristocrats, including Philippe I, Duke of Orléans -- the brother of Louis XIV -- Molière procures a command performance before the King at the Louvre.
Performing a classic play by Pierre Corneille and a farce of his own, Le Docteur amoureux (The Doctor in Love), Molière is granted the use of salle du Petit-Bourbon at the Louvre, a spacious room appointed for theatrical performances.
Later, Molière was granted the use of the Palais-Royal.
In both locations he finds success among the Parisians with plays such as Les Précieuses ridicules (The Affected Ladies), L'École des maris (The School for Husbands) and L'École des femmes (The School for Wives).
This royal favor brings a royal pension to his troupe and the title "Troupe du Roi" (The King's Troupe).
Molière continues as the official author of court entertainments.
Though he receives the adulation of the court and Parisians, Molière's satires attract criticisms from moralists and the Roman Catholic Church.
Tartuffe ou L'Imposteur (Tartuffe or the Hypocrite) and its attack on religious hypocrisy roundly receives condemnations from the Church, while Dom Juan is banned from performance.
Molière's hard work in so many theatrical capacities begins to take its toll on his health and, by 1667, he is forced to take a break from the stage.
In 1673, during a production of his final play, Le Malade imaginaire (The Imaginary Invalid), Molière, who suffers from pulmonary tuberculosis, is seized by a coughing fit and a haemorrhage while playing the hypochondriac Argan.
He finishes the performance but collapses again and dies a few hours later.
World
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West Europe (1540–1683 CE)
Principalities, Ports, and the Making of the Early Modern West
Geography & Environmental Context
West Europe in this age cohered around two complementary maritime–Mediterranean spheres: Mediterranean West Europe—southern France, Corsica, and Monaco—and Atlantic West Europe—northern France and the Low Countries (the Dutch Republic, Spanish Netherlands, and Luxembourg) along the English Channel and Atlantic. Mountain arcs, river basins (Loire, Seine, Scheldt, Meuse, Rhine), and islanded coasts framed agrarian heartlands and sea-facing emporia. The Little Ice Age brought cooler, more volatile seasons; floods, frosts, and vintner uncertainty alternated with years of bounty, testing grain and wine economies alike.
Subsistence & Settlement
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Mediterranean West Europe: Terraced vines, olives, figs, wheat, and pastoral uplands underpinned rural life; Corsica remained under Genoese control amid frequent revolts; Monaco, under the Grimaldi, consolidated as a small sovereign principality oriented toward France.
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Atlantic West Europe: Grain belts and dairying in Flanders and Artois; vineyards in Loire and Burgundy; bustling ports—Amsterdam, Rotterdam, Antwerp, Bordeaux, Nantes, La Rochelle, Rouen—drove urban growth and craft specialization. Toulouse pivoted after the decline of pastel (woad) as indigo from India displaced older dye trades.
Technology & Material Culture
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Agriculture & hydraulics: Dike and polder engineering in the Low Countries; drainage and crop rotation improved productivity; Mediterranean terraces stabilized thin soils.
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Shipping & finance: Dutch fluyts, improved charts, and insurance markets supported long-distance trade; the Amsterdam Exchange (1602) epitomized financial innovation.
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Architecture & arts: Renaissance and Baroque idioms reshaped towns—from Versailles’ courtly grandeur to Flemish guildhalls; coral-and-limestone citadels on Corsica testified to Genoese rule; Monaco’s palace symbolized dynastic continuity.
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Print culture: Amsterdam, Leiden, Paris, and Antwerp were premier centers for books, newspapers, and scientific tracts.
Movement & Interaction Corridors
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Sea lanes: Channel and Atlantic routes carried wine, grain, salt, textiles, sugar, tobacco, and enslaved labor; the Dutch and French merchant marines connected Baltic grain to Iberian salt and Caribbean staples.
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River networks: The Seine–Loire–Rhine–Scheldt–Meuse arteries integrated inland markets with seaports.
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Diplomatic circuits: Franco–Spanish and Habsburg–Dutch rivalries mapped corridors of war and alliance; Monaco’s 1642 French investiture bound the Rock to Bourbon protection while preserving sovereignty.
Cultural & Symbolic Expressions
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Humanism → Baroque: French Renaissance letters (Rabelais, La Pléiade) yielded to Baroque classicism under Louis XIII/XIV; in the Low Countries, the Dutch Golden Age and Flemish Baroque flourished—Rembrandt, Vermeer, Rubens.
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Theater & letters: Molière and Racine codified French drama; the Republic of Letters linked Amsterdam and Paris to London and Rome.
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Urban identity: Merchant patriciates funded almshouses, canals, and guild chapels; Huguenot salons and Dutch collegia nurtured sciences (Descartes in the Netherlands; Leeuwenhoek’s microscopy).
Political & Military Shocks
Mediterranean West Europe
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Monaco: Honoré II styled himself Prince (1612); by 1642 he became Duc et Pair Étranger under French protection—an emblem of princely consolidation amid Franco–Spanish rivalry.
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Corsica: Genoese rule persisted through fortified ports (Calvi, Bonifacio), despite endemic clan revolts and piracy.
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Southern France: The Wars of Religion (1562–1598) ravaged Languedoc and Provence; the Edict of Nantes (1598) stabilized coexistence until later retrenchments.
Atlantic West Europe
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Habsburg–Valois conflicts culminated in Cateau-Cambrésis (1559); France turned inward to confront confessional war.
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Dutch Revolt (1568–1648): The Eighty Years’ War birthed the Dutch Republic; Westphalia (1648) confirmed independence and reoriented the North Sea economy.
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Absolutism & expansion: Louis XIV’s wars (esp. Franco–Dutch War, 1672–78) and administrative centralization projected France as Europe’s leading power by 1683.
Religious Transformations
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Reformation & Counter-Reformation: Calvinism spread in the Low Countries and northern France; Jesuit missions, seminaries, and baroque piety spearheaded Catholic renewal.
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Toleration settlements: The Edict of Nantes and the Dutch Republic’s pragmatic toleration offered early models of pluralism amid enduring confessional fault lines.
Economic Transitions
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Pastel to indigo: Toulouse’s woad economy declined as Indigofera imports rose; merchants diversified into grain finance, legal professions, and textiles.
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Dutch commercial hegemony: VOC and WIC networks, Baltic grain trade, and the Amsterdam Exchangeunderwrote a global web.
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French Atlantic rise: Bordeaux and Nantes expanded on wine and emerging plantation commerce, laying foundations for 18th-century growth.
Environmental Adaptation & Resilience
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Low Countries: Continuous dike raising, polder drainage, and windmill pumping defended land and stabilized yields.
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Mediterranean slopes: Terracing, cisterns, and mixed arboriculture buffered droughts; coastal fisheries supplemented diets.
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Urban welfare: Confraternities, hospices, and poor relief mitigated famine and plague shocks.
Transition
Between 1540 and 1683, West Europe consolidated princely sovereignties and maritime republics, rebuilt after confessional wars, and vaulted into a global commercial system.
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In the Mediterranean, Monaco’s French alignment, Corsica’s Genoese fortresses, and southern France’s cultural refinement set the tone for principality survival amid great-power rivalry.
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Along the Atlantic, the Dutch Republic emerged as Europe’s commercial-financial engine, while France moved toward hegemonic monarchy and colonial reach.
By the eve of 1683, West Europe’s ports, polities, and patronage had forged durable institutions and identities—foundations that would dominate the continent’s politics, culture, and oceans in the century ahead.
Atlantic West Europe (1540–1683): Religious Turmoil, Dynastic Rivalries, and Maritime Ascendancy
The era spanning 1540 to 1683 in Atlantic West Europe—encompassing northern France, the Low Countries (modern Belgium, Netherlands, and Luxembourg), and regions along the Atlantic and English Channel coasts—witnessed profound religious transformations, intense political and dynastic conflicts, vibrant cultural achievements, and economic growth driven by maritime expansion and colonial enterprise. This period marked the region's decisive transition from medieval fragmentation to early modern states, characterized by powerful central authorities, dynamic commercial networks, and distinct national identities.
Political and Military Developments
The Habsburg-Valois Conflicts (1540–1559)
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Early decades were dominated by wars between Francis I of France (1515–1547) and Emperor Charles V (1519–1556), particularly the Italian Wars. These conflicts drained regional economies but solidified centralized monarchical power in France.
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The Treaty of Cateau-Cambrésis (1559) ended these conflicts, stabilizing the Franco-Habsburg borders and allowing France to refocus internally.
Religious Wars and Political Fragmentation (1562–1598)
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France endured the brutal Wars of Religion, pitting Catholic factions against Protestant Huguenots, severely disrupting society, economy, and political stability.
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The wars culminated in the ascension of Henry IV (r.1589–1610), who issued the Edict of Nantes (1598), granting limited religious toleration, stabilizing France, and reasserting royal authority.
Dutch Revolt and Birth of the Dutch Republic (1568–1648)
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The Low Countries rebelled against Habsburg Spain, triggered by religious persecution, heavy taxation, and centralization attempts under Philip II. The resulting Eighty Years' War forged the Dutch Republic in the north, while the southern provinces (Spanish Netherlands) remained under Spanish rule.
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The Peace of Westphalia (1648) confirmed the independence of the Dutch Republic, profoundly reshaping the region’s political map and enabling Dutch commercial and cultural ascendancy.
Absolutism under Louis XIV (1643–1683)
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France reached the zenith of royal absolutism under Louis XIV (r.1643–1715), significantly expanding French territories through wars such as the Franco-Dutch War (1672–1678), solidifying France’s role as Europe's dominant continental power.
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Centralized bureaucracy, military reforms, and lavish cultural patronage characterized Louis XIV's reign, epitomized by the expansion of Versailles as a symbol of monarchical prestige.
Economic Developments: Maritime Trade and Colonial Expansion
Growth of Atlantic Commerce
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French Atlantic ports like Bordeaux, Nantes, La Rochelle, and Dutch hubs such as Amsterdam and Rotterdam, flourished through maritime trade, driven by sugar, tobacco, wine, textiles, and the burgeoning slave trade.
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Bordeaux’s wine industry significantly expanded during this era, becoming a critical economic sector, exporting primarily to England and Northern Europe, reinforcing regional prosperity.
Dutch Commercial Dominance
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The Dutch Republic emerged as a commercial powerhouse, with Amsterdam becoming Europe’s leading financial and trading center. The establishment of the Amsterdam Stock Exchange (1602) and the Dutch East India Company (VOC, 1602) epitomized the sophistication of Dutch capitalism and global trade.
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Dutch maritime innovations in shipbuilding, navigation, and banking underpinned their economic success and influence across European markets and overseas colonies.
Agricultural and Industrial Advances
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Advances in agricultural techniques, notably crop rotation and drainage systems, improved productivity in northern France and the Low Countries, supporting population growth and urbanization.
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Textile production remained crucial, especially in Flanders and northern France, despite disruptions from warfare, forming a foundation for early industrialization.
Religious Developments: Reform, Conflict, and Toleration
Protestant Reformation and Catholic Response
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The spread of Protestantism profoundly reshaped religious and political life. Calvinism gained traction, especially in northern France and the Low Countries, fueling religious dissent against Catholic authorities.
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Catholic Counter-Reformation movements, notably led by the Jesuits, responded vigorously, reforming internal church structures, promoting religious education, and combating Protestant influence.
Religious Wars and Persecution
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Intense religious violence erupted across France, exemplified by the St. Bartholomew’s Day Massacre (1572), resulting in thousands of Huguenot deaths and heightened religious animosities.
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Protestant persecution under Spanish rule intensified in the Low Countries, ultimately leading to the Dutch Revolt and the establishment of religious toleration in the northern provinces, notably Holland.
Establishment of Limited Religious Toleration
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The Edict of Nantes (1598) and the relative religious toleration of the Dutch Republic became early models of coexistence amid religious pluralism, setting critical precedents influencing later European developments.
Cultural and Intellectual Developments
Renaissance Humanism to Baroque Splendor
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The French Renaissance, spurred by humanist scholars like François Rabelais and poets of La Pléiade, transitioned into the extravagant cultural and artistic patronage of the Baroque period under Louis XIII and Louis XIV.
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Flemish painters such as Peter Paul Rubens and Dutch Golden Age artists including Rembrandt and Vermeer profoundly impacted European artistic traditions through innovative techniques and compelling naturalism.
Intellectual Innovations and Scientific Advances
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This era witnessed groundbreaking advances in science, technology, and medicine. Intellectual centers such as Paris and Amsterdam became hubs for scientists and philosophers, exemplified by René Descartes’ philosophical works and Antonie van Leeuwenhoek’s microscopy.
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The establishment of learned societies, such as the French Académie des Sciences (1666), reflected state-sponsored encouragement of scientific inquiry, significantly advancing European knowledge.
Literary and Cultural Flourishing
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French literary culture flourished under royal patronage, with notable playwrights like Molière and Jean Racine, whose works profoundly influenced European drama.
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In the Dutch Republic, high literacy rates and publishing freedoms fostered a vibrant literary culture, marked by prolific book publishing, newspapers, and critical philosophical discourse.
Social and Urban Transformations
Urban Expansion and Socioeconomic Mobility
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Maritime trade significantly propelled urbanization in port cities such as Amsterdam, Antwerp, Bordeaux, and Nantes, leading to the emergence of affluent merchant classes influential in local governance and cultural patronage.
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Economic prosperity stimulated the growth of urban infrastructure, including banking institutions, merchant guilds, public buildings, and market spaces, reshaping urban life and society.
Social Tensions and Rural Struggles
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Despite urban wealth, significant rural poverty persisted, exacerbated by warfare, heavy taxation, agricultural disruption, and periodic famines, particularly notable in northern France and parts of the Low Countries.
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Rural communities faced pressures from enclosures, increasing commercialization of agriculture, and demographic growth, fueling migrations toward cities and overseas colonies.
Legacy and Historical Significance
By 1683, Atlantic West Europe had undergone transformative shifts in political structure, economic power, cultural expression, and religious dynamics:
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Politically, the period solidified powerful centralized monarchies in France and independent republican governance in the Netherlands.
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Economically, the region became integral to global commerce, driven by maritime exploration, colonial expansion, and financial innovation, notably in the Dutch Republic.
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Culturally and intellectually, Renaissance humanism transitioned into Baroque grandeur and scientific rationalism, profoundly shaping European thought, art, and literature.
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Religiously, the profound tensions between Protestantism and Catholicism laid the groundwork for modern notions of religious pluralism and toleration.
Thus, this period positioned Atlantic West Europe decisively at the forefront of early modern European transformations, establishing foundational structures, cultural identities, and economic patterns that endured into subsequent centuries.
Blaise Pascal, the French mathematician and physicist turned religious philosopher, had published an eighteen-letter series, Lettres provinciales, between 1656 and 1657, under the pseudonym Louis de Montalte.
Pascal had written this memorable attack on casuistry, a popular ethical method used by Catholic thinkers in the early modern period (especially the Jesuits, and in particular Antonio Escobar), in defense of the Jansenist French Roman Catholic theologian, philosopher, and mathematician Antoine Arnauld.
King Louis XIV of France, incensed by these writings, in 1660 orders all copies to be shredded and burned.
French playwright and actor Molière, despite his own preference for tragedy, which he had tried to further with the Illustre Theatre, has become famous for his farces, which are generally in one act and performed after the tragedy.
Some of these farces are only partly written, and are played in the style of Commedia dell'arte with improvisation over a canovaccio.
He also writes two comedies in verse, but these are less successful and are generally considered less significant.
Later in life Molière will concentrate on writing musical comedies, in which the drama is interrupted by songs and/or dances.
His Les précieuses ridicules (The Affected Young Ladies) had in 1659 won Molière the attention and the criticism of many, but it was not a popular success.
He now asks his Italian partner Tiberio Fiorelli, famous for his character of Scaramouche, to teach him the techniques of Commedia dell'arte.
His 1660 play Sganarelle, ou Le Cocu imaginaire (The Imaginary Cuckold) seems to be a tribute both to Commedia dell'arte and to his teacher.
Its theme of marital relationships dramatizes Molière's pessimistic views on the falsity inherent in human relationships.
This view is also evident in his later works, and is to be a source of inspiration for many later authors, including (in a different field and with different effect) Luigi Pirandello.
It describes a kind of round dance where two couples believe that each of their partners has been betrayed by the others' and is the first in Molière's 'Jealousy series' which will grow to include Dom Garcie de Navarre (a flop), L'École des maris and L'École des femmes.
Molière, in order to please his patron, Monsieur (Monsieur being the honorific for the king's brother Philippe I, Duke of Orléans), who is so enthralled with entertainment and art that he is soon excluded from state affairs, in 1661 writes and plays Dom Garcie de Navarre ou Le Prince jaloux (The Jealous Prince), a heroic comedy derived from a work of Cicognini's.
Two other comedies of the same year are the successful L'École des maris (The School for Husbands) and Les Fâcheux, subtitled Comédie faite pour les divertissements du Roi (a comedy for the King's amusements) because it is performed for the first time during a series of parties that Nicolas Fouquet gives in August at Vaux in honor of Louis, who is already set upon his destruction (his disgrace had on May 4 been secretly decided upon).
These entertainments, a fête rivaled in magnificence by only one or two in French history, lead Jean-Baptiste Colbert to demand the arrest of Fouquet for wasting public money.
Molière moves to the grander Theâtre du Palais-Royal, still with his Italian partners, in 1662 and marries Armande, whom he believes to be the sister of Madeleine; she may have instead been her illegitimate daughter with the Duc of Modène.
The same year, on December 26, he premieres L'École des femmes (The School for Wives), subsequently regarded as a masterpiece.
It pokes fun at the limited education that is given to daughters of rich families, and reflects Molière's own marriage.
Both this work and his marriage attract much criticism.
The play sparks the protest called the "Quarrel of L'École des femmes."
On the artistic side he responds with two lesser-known works: La Critique de "L'École des femmes", in which he imagines the spectators of his previous work attending it.
The piece mocks the people who had criticized L'École des femmes by showing them at dinner after watching the play; it addresses all the criticism raised about the piece by presenting the critics' arguments and then dismissing them.
This is the so-called Guerre comique (War of Comedy), in which the opposite side is taken by such writers as Donneau de Visé, Edmé Boursault, and Montfleury.
Molière’s more serious opposition focuses on his politics and his personal life.
A so-called parti des Dévots arises in French high society, who protest against Molière's excessive "realism" and irreverence, which are causing some embarrassment.
These people accuse Molière of having married his daughter.
The Prince of Conti, once Molière's friend, joins them.
Molière has other enemies, too, among them the Jansenists and some traditional authors.
However, the king expresses his solidarity with the author, granting him a pension and agreeing to be the godfather of Molière's first son.
Boileau also supports him through statements that he includes in his Art poétique.
Molière's friendship with Jean-Baptiste Lully influences him towards writing his Le Mariage forcé and La Princesse d'Élide (subtitled as Comédie galante mêlée de musique et d'entrées de ballet), written for royal "divertissements" at Versailles.
Tartuffe, ou L'Imposteur is also performed at Versailles, in 1664, and creates the greatest scandal of Molière's artistic career.
Its depiction of the hypocrisy of the dominant classes is taken as an outrage and violently contested.
It also arouses the wrath of the Jansenists and the play is banned.
The king allegedly suggested that Molière suspend performances of Tartuffe; the author rapidly writes Don Juan ou le Festin de Pierre to replace it.
A strange work, derived from a work by Tirso de Molina and rendered in a prose that still seems modern today, it describes the story of an atheist who becomes a religious hypocrite and for this is punished by God.
Premiering on February 15, 1665, this work too is quickly suspended.
The king, demonstrating his protection once again, becomes the new official sponsor of Molière's troupe.
Molière presents L'Amour médecin (Love Doctor or Medical Love) with music by Lully.
Subtitles on this occasion report that the work had been given "par ordre du Roi" (by order of the king), and this work is received much more warmly than its predecessors.
Molière produces Le Misanthrope ou L'Atrabilaire amoureux (The Misanthrope) on June 4, 1666.
Today widely regarded as Molière's most refined masterpiece, the one with the highest moral content, it is little appreciated at its time.
It causes the "conversion" of Donneau de Visé, who becomes fond of his theater, but it is a commercial flop, forcing Molière to immediately write Le médecin malgré lui (The Doctor Despite Himself), a satire against the official sciences.