Dürer in Italy has returned to painting,…
1507 CE
Dürer in Italy has returned to painting, at first producing a series of works executed in tempera on linen.
These include portraits and altarpieces, notably, the Paumgartner altarpiece and the Adoration of the Magi.
Returning to Venice in early 1506, he remains until the spring of 1507.
By this time Dürer's engravings have attained great popularity and are being copied.
In Venice he had been given a valuable commission from the emigrant German community for the church of San Bartolomeo.
This is the altarpiece known as the Adoration of the Virgin or the Feast of Rose Garlands.
It includes portraits of members of Venice's German community, but shows a strong Italian influence.
It will subsequently be acquired by the Emperor Rudolf II and taken to Prague.
Other paintings Dürer produces in Venice include The Virgin and Child with the Goldfinch, Christ among the Doctors (supposedly produced in a mere five days), and a number of smaller works.