Félix Lope de Vega

Félix Lope de Vega y Carpio (/dəˈveɪɡə/; 25 November 1562 – 27 August 1635) was a Spanish playwright, poet, and novelist who was a key figure in the Spanish Golden Age (1492–1659) of Baroque literature. In the literature of Spain, Lope de Vega is often considered second only to Miguel de Cervantes.[1] Cervantes said that Lope de Vega was “The Phoenix of Wits” (Fénix de los ingenios) and “Monster of Nature” (Monstruo de naturaleza).

Lope de Vega renewed the literary life of Spanish theater when it became mass culture, and with the playwrights Pedro Calderón de la Barca and Tirso de Molina defined the characteristics of Spanish Baroque theater with great insight into the human condition. The literary production of Lope de Vega includes 3,000 sonnets, three novels, four novellas, nine epic poems, and approximately 500 stage plays.

Personally and professionally, Lope de Vega was friend to the writer Francisco de Quevedo and arch-enemy of the dramatist Juan Ruiz de Alarcón. The volume of literary works produced by Lope de Vega earned him the envy of his contemporaries, such as Cervantes and Luis de Góngora, and the admiration of Johann Wolfgang von Goethe for such a vast and colorful oeuvre.[3] Lope de Vega was also a close friend of Sebastian Francisco de Medrano, founder and president of the Medrano Academy (Poetic Academy of Madrid). He would attend Medrano's Academy from 1616 to 1622, and his relationship with Medrano is evident in his El Laurel de Apolo (1630) in silva VII.

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